Friday, September 12, 2014

Fiber College: Behind the Scenes

A lot of work goes into making Fiber College the success it is and there are many "unsung heroes". I thought it would be fun to share some of the "out takes" and give you a glimpse of Fiber College "Behind the Scenes".
 
 
It starts with a vision.
 
 
And then . . .
Tents are moved.
(And, yes, the green shed is cleaned out!)


Gardens are planted.


Cabins are built.

 
Campsites are set up.
 
 

Signs are posted.


Animals are delivered . . .


Or drive in their own cars!

Last minute directions are given


"Parking Studs" are enlisted to handle the traffic


Attendees are escorted to registration


Food is prepared for guests . . .


for staff & Volunteers . . .


and for special events . . . like the Thursday evening cocktail reception at the Art Studio.
 


Alice & Anita really rocked that beehive oven!


Friends are welcomed .







Music is played.


 
Songs are sung.
 
And the rug is cut!
 

After it's all over, most of us probably feel like Kendra did . . .

 
Exhausted.
 But looking forward to doing it all again next year!
 
 

Thursday, September 11, 2014

Amazing Women: The Quilters of Gee's Bend

It was an honor to meet Miss China and the Gee's Bend quilters at Fiber College 2014 in Searsport, Maine. Fiber College is a five-day celebration of creative women and the fiber arts, held at beautiful Searsport Shores on Penobscot Bay.
I wrote about last year's amazing Fiber College in the post  Summer Camp for Adults. Impossible as it seems, this year was even better! I'll be sharing photos and some great new craft ideas from Fiber College in the next couple of posts . . . I learned too much to fit it all into one!


The quilters from Gee's Bend, Alabama were strong, creative and inspiring women, and their quilts exploded with color in the late summer sun.



The Gee's Bend quilters didn't learn their craft from quilting books or classes. Their knowledge about quilting was passed down from generation to generation, originally inspired by the need of women held as slaves to keep their children warm and, in some cases, to tell their stories when not allowed to read or write.




"The Quilts of Gee's Bend are created by a group of women who live in the isolated African-American hamlet of Gee's Bend, Alabama. "The compositions of these quilts contrast dramatically with the ordered regularity associated with many styles of Euro-American quiltmaking. There's a brilliant, improvisational range of approaches to composition that is more often associated with the inventiveness and power of the leading 20th-century abstract painters than it is with textile-making," writes Alvia Wardlaw, curator of Modern and Contemporary Art at the Museum of Fine Arts."
~from Wikipedia


"The quilting tradition in Gee's Bend goes back to the 19th century, when the community was the site of a cotton plantation owned by a Joseph Gee. Perhaps influenced in part by patterned African textiles, female slaves pieced together strips of cloth to make bedcovers. Throughout the post-bellum years and into the 20th century, Gee's Bend women made quilts to keep themselves and their children warm in unheated shacks that lacked running water, telephones and electricity. Along the way they developed a distinctive style, noted for its lively improvisations and geometric simplicity."
~from Wikipedia


"Their quilts have been exhibited at the Museum of Fine Arts, Houston, the Indianapolis Museum of Art, the Philadelphia Museum of Art, and the Whitney Museum of American Art, among others."
~from Wikipedia

For five days, twenty-five Fiber College quilters had the privilege of learning from, and quilting with, the quilters from Gee's Bend. And the rest of us had the privilege of meeting, and being inspired by, these remarkable women.


 Forget the rules you learned about quilting. The original Gee's Bend quilters did not have rotary cutters, Ott lights and metric rulers. They made quilts from scraps of old clothing or bedding, under the worst of conditions, using what they had.

They did without and made do.



They tore fabric to make strips, worked by candlelight, "measured" and balanced colors by doing what looked good when the pieces were laid out on the ground.



Their descendants have continued the quilting traditions of Gee's Bend.


The Gee's Bend quilters don't use patterns to measure and lay out their quilts. They let their quilts "grow", adding pattern and color as they work.

  Miss Stella, one of the Gee's Bend quilters, was showing a Fiber College quilter how to balance her pattern as she moved pieces of fabric around on the ground.
No measuring . . . Stella just pointed and said, "The sky should go here".


The quilters of Gee's Bend reminded all of us that sometimes it's OK to ignore the rules to create something beautiful.


 Here are some of the quilters of Searsport Shores...




Working side by side with the quilters of Gee's Bend . . .

Exchanging much more than quilting advice.


Quilting allowed women from very different cultures to form close bonds, old to young, woman to woman, over the five days of Fiber College, and to learn from one another . . .

About much more than just cutting and sewing.


 Could there ever be a Fiber College as moving as this one?


Where creative women had the opportunity to talk together, work together, and sew together across cultures.


To express themselves




Through the work of their hands.


 The quilters of Gee's Bend, led by Miss China, start each day with a prayer, offering up the work of their hands to Jesus. As they work, they often sing. They unselfconsciously shared that tradition with all of us attending Fiber College. One could often hear spirituals loudly, and beautifully, emanating from the quilting tent.


Or from the Art Studio!


 Much thanks goes to all of the people who worked so hard to bring the Gee's Bend quilters to Maine, especially Astrig Tanguay (right below) and her husband Steve, owners of Searsport Shores, who make this event possible each year.


For Fiber College, photographs of the quilts and the women who made them were taken by our friend, Alice Seeger (left in photo above), and bound into a book entitled Gee's Bend Quilts In Maine.
Copies of the book are $22.00; contact Alice or Astrig at this email address to check on availability if you would like one.

 Information on Fiber College 2015, September 9 - 13, is online on the Fiber College blog.



So . . . start singing out loud, forget the rules and . . .

Happy quilting!




This post is stitched to the following blog parties:
I Quilt at Pretty Bobbins
Needle & Thread Thursday at My Quilt Infatuation
Sew Darn Crafty Linky Party at Sew Many Ways
Wow Us Wednesdays at Savvy Southern Style
What's It Wednesday at Ivy & Elephants
Time Travel Thursday at Brambleberry Cottage
Tablescape Thursday at Between Naps On the Porch
Feathered Nest Friday at French Country Cottage
Show & Tell Friday at My Romantic Home



Monday, September 1, 2014

Got Zippers???

I'm having so much fun making these little zipper pouches that I just had to share them with you.



Aside from how cute they are. they have so many uses . . . and I keep thinking of more. Here is one packed with highlighters for a college class...and another to hold a cell phone and charger.


This sophisticated black and white bag is perfect for jewelry...or could even be used for a little clutch purse with a simple black dress.


 
I found the idea for these zippered pouches in the May issue of Country Living Magazine in the "idea notebook" section on page 42.


Here are the "chic pouches" that first caught my eye  in the magazine.


I decided that I wanted my pouches to be a little more colorful.
 I
I was able to pick up extra zippers at Goodwill, on ebay, and, for that special polka dot or zebra-print zipper, at JoAnn's Fabrics with a 40% coupon.
 
I chose bright cotton duck fabrics - remnants when I could get them - for the backing.
The duck gives the pouches the "weight" they need.


So grab all the old zippers you've stashed away and let's get started!


For each pouch, you'll need:

* Seven 7-inch zippers

* A rectangular piece of cotton duck (approximately 6" x 8", maybe a little larger depending on the width of your zippers. I bought a quarter-yard (9") of each color.
*Thread to match the cotton duck backing fabric.

 
Lay out the seven zippers in a pattern that appeals to you with zipper pulls alternating.
Pin zippers wrong sides together, one at a time, and sew with a 1/8" seam allowance (very close to the edge).
 
Press the zipper side flat and use it as a pattern to cut the backing piece of cotton duck. Stitch the front (zipper side) to the back (cotton duck side), right sides together, using a 1/4" seam. I stitched over the seam a second time to strengthen it and straighten it. Trim corners.
 

Unzip one of the zippers to allow room to turn the pouch right side out. Press flat.
 
I added a little key ring to the top zipper of my pouches to make them easy to carry . . and maybe even to hold a key if being used as a clutch purse. I found the key rings in the craft section  at WalMart . . . in packages of silver or in assorted colors for very little money.
 
 And voila...you're done!
Each pouch took me about an hour to make from start to finish.
 

On Wednesday, it's back to Fiber College in Searsport. ME. I can't wait. I'm signed up for a couple of classes (felting, book-binding) and hope to attend a number of the demonstrations and workshops. I love having the opportunity to learn new crafts in such a beautiful setting each year.

In the meantime, I'll be sewing these cute little pouches.

 Happy zipping!
 




This post is being shared on the following linky parties:
Sew Darn Crafty Party at Sew Many Ways
Metamorphosis Monday at Between Naps On the Porch
 Amaze Me Mondays at Dwellings
Time Travel Thursday at Brambleberry Cottage
Sunday Showcase at Under the Table and Dreaming
Motivate Me Monday at Keeping It Simple
Sunday Block Party at Making the World Cuter
Nifty Thrifty Sunday at Nifty Thrifty Things
Tutorial Tuesdays at Hope Studios
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